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By Karen Fang

while Ridley Scott predicted Blade Runner's set as "Hong Kong on a nasty day," he nodded to the city's overcrowding in addition to its frequent use of surveillance. yet whereas Scott introduced Hong Kong and surveillance into the worldwide movie repertoire, the city's personal cinema has remained open air of the worldwide surveillance discussion.
In Arresting Cinema, Karen Fang offers a unifying account of Hong Kong cinema that attracts upon its well known crime motion pictures and different specific genres to illustrate Hong Kong's view of surveillance. She argues that Hong Kong's movies reveal a tolerance of—and even opportunism towards—the tender cage of continuing commentary, not like the worried view general within the West. although, many surveillance cinema stories concentration completely on eu and Hollywood motion pictures, discounting different inventive traditions and business situations. Hong Kong's movies express a extra crowded, more and more economically stratified, and postnational international that however deals an charisma of hopeful futurity. simply by way of exploring Hong Kong surveillance movie do we start to form a really international knowing of Hitchcock's "rear window ethics."

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